DUSTED MAGAZINE

Dusted Reviews

Patty Waters - You Thrill Me

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Ólafur Arnalds - Eulogy for Evolution / Variations of Static

Betty Botox - Mmm, Betty!

Bird Show - Bird Show

Anthony Braxton and Joe Morris - Four Improvisations (Duo) 2007

Calexico - Carried to Dust

DeepChord / Rod Modell - Vantage Isle Sessions / Incense and Black Light

Eddy Current Suppression Ring - Primary Colours

Eden Express - Que Amors Que

The Feelies - Only Life

Growing - All the Way

Hair Police - Certainty of Swarms

Hexlove-Falouah - Free Jazz Slavery

Damien Jurado - Caught in the Trees

The Music Tapes - Music Tapes for Clouds and Tornadoes

The New Year - The New Year

Larry Ochs - The Mirror World (for Stan Brakhage)

Parenthetical Girls - Entanglements

Performing Ferrets - No One Told Us

Prurient - Arrowhead

Lee Ranaldo - Maelstrom From Drift

The Red Krayola - Fingerpointing

Teenage Jesus and the Jerks / Beirut Slump - Shut Up and Bleed

Tussle - Cream Cuts

Sir Victor Uwaifo - Guitar Boy Superstar 1970-76

V/A - Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979

Yoshi Wada - The Appointed Cloud

The Walkmen - You & Me

Dusted Reviews


Artist: Patty Waters

Album: You Thrill Me

Label: Water

Review date: Oct. 5, 2004


Never mind that 10 of this CD’s 15 tracks were recorded in 1970 or later, after Patty Waters had left New York City; You Thrill Me is really a prequel to the singer’s epochal mid-'60s recordings for ESP. Waters (along with Byron Coley and Ghost’s Masaki Batoh) has contributed liner notes that date the origin of the brief, jewel-like originals that make up most of the record to an early-'60s sojourn in Southern California, and while she may have recorded them after she left New York, they show no trace of the hair-raising free vocalizing showcased on Patty Waters Sings and College Tour.

The biggest influence on display here is Billie Holiday, whose phrasing Waters mimics on “Fine and Mellow.” Like her heroine, Waters refrains from scatting or otherwise stretching out the songs. She also projects a romantically hungry and sexually knowing persona, leavened on “Spring Is Here” and “Please Make Love To Me” with adolescent innocence.

Time has taken its toll on these performances, which were culled from Waters’ personal archive of tapes and acetates. Several enjoy the campfire crackle of surface noise, one 1970 session is marred by an out-of-tune piano, and one tune sounds like it’s been slightly sped up.

One of the gems here is Waters’ turn on a commercial for Jax beer; given what would come, it’s truly bizarre to hear her extolling the beverage’s mellowness. Then there are three demos recorded with the legendary producer Tom Wilson, who comes across like an over-baked boor on the preserved studio dialogue.

“Touched By Rodin In A Paris Museum” wears out its welcome a bit. Alone at the piano, Waters sounds like she’s playing to herself as she picks out impressionistic melodies. It’s nice, but at 14:37, way too long. Of course, if you're already under Patty Waters’ spell, you might also be charmed by this quieter foray into excess.

By Bill Meyer

Other Reviews of Patty Waters

The Complete ESP-Disk' Recordings

Read More

View all articles by Bill Meyer

Find out more about Water

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.