DUSTED MAGAZINE

Dusted Reviews

Cex - Starship Galactica

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Ólafur Arnalds - Eulogy for Evolution / Variations of Static

Betty Botox - Mmm, Betty!

Bird Show - Bird Show

Anthony Braxton and Joe Morris - Four Improvisations (Duo) 2007

Calexico - Carried to Dust

DeepChord / Rod Modell - Vantage Isle Sessions / Incense and Black Light

Eddy Current Suppression Ring - Primary Colours

Eden Express - Que Amors Que

The Feelies - Only Life

Growing - All the Way

Hair Police - Certainty of Swarms

Hexlove-Falouah - Free Jazz Slavery

Damien Jurado - Caught in the Trees

The Music Tapes - Music Tapes for Clouds and Tornadoes

The New Year - The New Year

Larry Ochs - The Mirror World (for Stan Brakhage)

Parenthetical Girls - Entanglements

Performing Ferrets - No One Told Us

Prurient - Arrowhead

Lee Ranaldo - Maelstrom From Drift

The Red Krayola - Fingerpointing

Teenage Jesus and the Jerks / Beirut Slump - Shut Up and Bleed

Tussle - Cream Cuts

Sir Victor Uwaifo - Guitar Boy Superstar 1970-76

V/A - Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979

Yoshi Wada - The Appointed Cloud

The Walkmen - You & Me

Dusted Reviews


Artist: Cex

Album: Starship Galactica

Label: Temporary Residence

Review date: Apr. 24, 2005


Starship is a reissue from IDM’s Eminem, Rjyan Kidwell, AKA Cex. Originally released in 2001 on infinitesimal Brit imprint 555 Recordings, Starship received a few curtain-calls from the usual critical suspects, allegedly because it fused a nexus between Boards of Canada warble and Kid 606’ tendency to dissolve into dissonance.

Bold claims aside, a squinted gaze allows a conditional agreement to selected bits of the aforementioned: Sure, Cex often scrapes sounds from the same sonic palate as those luminaries, but he constructs his art in such a lackadaisically arrogant way, that any flash of talent that emits from Starship is just that: Vapor.

And then there’s the “humor.” Remarkably, the track “Hi Scores” bottles the essence of Cex in a mere 48 seconds: Bed’s springs signify movement; female moans signify ecstasy; Cex’s masculine exhortations signify (coital?) engagement; and then the video-game jingle intrudes – all while the female cooing continues. So, coital’s question mark falls away, and listeners are left wondering why they assumed that Cex was “tapping that ass” instead of mouth-breathing over a PlayStation.

“Hi Scores” is Cex as clever “culture jammer,” as self-congratulating egghead subverting established paradigms. Jim O’ Rourke has had mixed success with his foray into assaulting the polis’ conceptual hardwiring, but his music-as-thinkpiece is disseminated with way more wit than wank.

The most substantial track on Starship is “Bunky,” a 12:34 study in influence. The borrowed Kraftwerk click beats of Trans Am are removed with a (literal) flip of the dial; Cagean silence then sprints into a handheld recording of Kidwell ripping some hecklers. This, too, is subjected to the short attention span surf, with a “punk” rendition of “Starship Galactica” fronted by what sounds like an inebriated frat-boy slurring over a Sham 69 cover band.

Apparently, Starship is what happens when chutzpah is mistaken for the cerebral: With so many music writers heralding Kidwell as a laptop “magician,” stale gestures and derivative drivel is correlative to avant sonic sorcery. And with a seemingly endless spool of Cex imitators spawned from this mess, those in the know are left wondering when the spell will wear off.

By Stewart Voegtlin

Other Reviews of Cex

Tall, Dark, and Handcuffed

Read More

View all articles by Stewart Voegtlin

Find out more about Temporary Residence

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.