DUSTED MAGAZINE

Dusted Reviews

No Age - Weirdo Rippers

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Ólafur Arnalds - Eulogy for Evolution / Variations of Static

Betty Botox - Mmm, Betty!

Bird Show - Bird Show

Anthony Braxton and Joe Morris - Four Improvisations (Duo) 2007

Calexico - Carried to Dust

DeepChord / Rod Modell - Vantage Isle Sessions / Incense and Black Light

Eddy Current Suppression Ring - Primary Colours

Eden Express - Que Amors Que

The Feelies - Only Life

Growing - All the Way

Hair Police - Certainty of Swarms

Hexlove-Falouah - Free Jazz Slavery

Damien Jurado - Caught in the Trees

The Music Tapes - Music Tapes for Clouds and Tornadoes

The New Year - The New Year

Larry Ochs - The Mirror World (for Stan Brakhage)

Parenthetical Girls - Entanglements

Performing Ferrets - No One Told Us

Prurient - Arrowhead

Lee Ranaldo - Maelstrom From Drift

The Red Krayola - Fingerpointing

Teenage Jesus and the Jerks / Beirut Slump - Shut Up and Bleed

Tussle - Cream Cuts

Sir Victor Uwaifo - Guitar Boy Superstar 1970-76

V/A - Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979

Yoshi Wada - The Appointed Cloud

The Walkmen - You & Me

Dusted Reviews


Artist: No Age

Album: Weirdo Rippers

Label: FatCat

Review date: Sep. 5, 2007


No Age have a bit of an identity crisis: They can’t decide if they want to be a punk band or sculptors of ambient sound. They could have easily been a really fantastic garage-y punk band in the mold of Times New Viking or the Spits. For a few songs here, they tap into the same kind of laconic punk scuzz as their Ohio and Seattle counterparts, but with slightly better production, more drum clatter, and a secret love of ’90s pop-punk, particularly in the vocals which occasionally sound like the guys from Blink-182 gone horribly, horribly right. That punk energy isn’t surprising given that No Age is two thirds of the noisy punk band Wives (who, despite only releasing one record are apparently either “beloved” or “fondly remembered” depending on which press release you read). If the whole albums consisted of songs like “Boy Void” and “Everybody’s Down,” this would easily be one of the best albums of the year.

Sadly, they seem to like making ambient textures a lot more than they like rocking out. While ambience isn’t a bad thing in and of itself, it has to actually do something to be effective. In a few songs, like “Every Artist Needs a Tragedy,” “Dead Plane” and particularly “My Life’s Alright Without You,” they use ambience as a framing device, setting up the rock song that follows and making the arrival of the hook that much more exciting. But the rest of the time, the sounds they create are simultaneously tired and truncated. Black Dice and Animal Collective have already used a lot of these sounds to much better ends by giving them space to spread out and develop on their own turns. No Age are in such a rush to get through the 11 songs on Weirdo Rippers that they choke off almost every idea, including the punkier ones, before its time is up. Part of that may be a result of Weirdo Rippers’ provenance as a collection of highlights from five limited-edition vinyl releases from earlier this year.

That is, however no excuse. This is no singles collection. No Age do seem to be aware of the problem, though, and they sum it up succinctly in the song “Loosen the Job”: “Why are there so many records in my life?” I heartily endorse having lots of records in your life, but you shouldn’t try to recreate all of them in just 31 minutes.

By Dan Ruccia

Other Reviews of No Age

Nouns

Read More

View all articles by Dan Ruccia

Find out more about FatCat

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.